Kathryn Nuernberger is the author of two previous poetry collections, The End of Pink and Rag & Bone. She has also written a collection of lyric essays, Brief Interviews with the Romantic Past. Fascinated by the history of science and the natural world, she has received research fellowships from the H. J. Andrews Research Forest, American Antiquarian Society and the Bakken Museum of Electricity in Life. Other awards include an NEA fellowship and the James Laughlin Prize from the Academy of American Poets. Her poems and essays have appeared widely in journals, including 32 Poems, Cincinnati Review, Copper Nickel, Crazyhorse, Field, The Florida Review, Gulf Coast, Indiana Review, Poetry International, West Branch, Willow Springs, Poetry Daily, and Verse Daily. She holds a PhD in English Literature from Ohio University and an MFA in Creative Writing from Eastern Washington University. After spending many years directing Pleiades Press, she now teaches in the MFA Program at the University of Minnesota and lives with her family in Minneapolis-St. Paul, MN.

Other poems by Kathryn Nuernberger in Verse Daily:
May 8, 2012:   "My First Peacock" "I keep a white peacock behind my ear..."
April 3, 2007:   "The Strange Girl Asked Politely to be Called Princess" "When Sally Lida skips rope her hair flies..."

Books by Kathryn Nuernberger:

Other poems on the web by Kathryn Nuernberger:
Seven poems
Three poems
Three poems
"The Petty Politics of the Thing"
Three poems

Kathryn Nuernberger's Website.

Kathryn Nuernberger on Twitter.

About Rue:

"Rue is a brilliant meditation on corporeality, history, and what it means to move through the natural and material world―be it a field of pennyroyal or the Dollar General—in a female body. Kathryn Nuernberger's astonishing poems present an urgent and devastating discourse, via many-layered gut-punch narratives, of the complex ways in which we are connected to one another that together become a powerful reckoning on female strength and desire in the #MeToo era."
—Erika Meitner

"This collection lets you open yourself to the possibility of truth stripped bare of the cultural baggage that keeps us from speaking our minds to strangers and friends and lovers alike. Let Rue bewitch you, let it charm you, as rue strung around the neck to keep your vision sharp and deflect from plague and remedy what ails you. Let it locate what ails you, and extract it with whatever needs to be said."
—Jennifer Givhan

"These long, chattering poems offer so much warmth and intimacy of voice that we hardly notice Kathyrn Nuernberger has talked us straight into confrontations with some of the most sinister aspects of Western modernity. The animal violence underlying bourgeois decorum, the suffocating brutality of our patriarchy, and the gross and beastly truths of our human sexuality are all lined up here. Nuernberger knocks them down one by one with cutting humor, a breadth of erudition and book smarts, and the reassuring potency of her feminism."
—Jaswinder Bolina

"Kathryn Nuernberger's remarkable collection Rue asks what it means to know another person, how imagination and action intersect to shape our experiences of love and desire. I adore how her poems show a mind in motion, its obsessions, its honesties. I adore its deft syntax winding us from a love of nature to the nature of love, interrogating what it means to love complicated people in history and in the present―what it is to be a complicated person. Among the book's questions concern the female body―who gets to control it and how, who imperils it and under what guise of professionalism or friendship, and what flowers let women control it for themselves."
—Traci Brimhall