Rhonda Pettit is a member of the Southern Appalachian Writers Cooperative, and the author of Fetal Waters (a poetry chapbook published by Finishing Line Press, 2012), and The Global Lovers (a poetic drama produced at the 2010 Cincinnati Fringe Festival). Two of her poems and an essay have been nominated for a Pushcart Prize. She teaches creative writing and literature at the University of Cincinnati Blue Ash College, where she is editor of the Blue Ash Review,hosts and co-produces The Poetry Café for UCTV Online, and conducts a poetry festival annually. Her individual and collaborative collages and poetry (with H. Michael Sanders) were included in three exhibitions and their related print and online publications: Gaps & Overlaps, Dada Lives!, and at the Faculty and Staff Art Exhibition at the UCBA Art Gallery in 2015, 2016, and 2017. Her scholarship on the work of Dorothy Parker produced two books, A Gendered Collision (2000) and The Critical Waltz (2005). She also served as one of the poetry editors for both volumes of THE AUNT LUTE ANTHOLOGY OF U.S. WOMEN WRITERS (Hogeland et al., 2004 and 2008).

Books by Rhonda Pettit:

Other poems on the web by Rhonda Pettit:
"Epistemology"

About Riding The Wave Train:

"Rhonda Pettit's Riding The Wave Train parallels (like waves following one another) the development of complex life on the early planet, leading at last to us. And so in the concluding poem, a meditation on one of the most strangely beautiful marine fossils of the famous Burgess Shales, the speaker asks, 'Do I find in you a lost piece of myself?' The answer these poems support is 'Yes.' Marvelous sequences throughout plumb the connections between fossils, coming of age, and facing the death of loved ones, all taking place against the vast, undulant pageant of time."
—Richard Hague

"'I was the grand-daddy long-legs thrown / hard against the garage door today, / and I was the hand that threw it.' Thus concludes one of the most stunning poems in Rhonda Pettit's new collection RIDING THE WAVE TRAIN. These lines are a harbinger of Pettit's continuing theme—a metaphorical blurring of the line between self and other, the universal and the particular, the archetypal and the quotidian. As exquisitely structured as it is lyrically compelling, this book is a must have for lovers of fresh, original, insightful poetry."
—Cathy Smith Bowers