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Today's poem is "While Refuged at Sophie's Cottage as Bombs Fall on London, Nina Hamnett Pens a Postcard to Wyndham Lewis "
from Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

BlazeVOX [books]

Tom Holmes is the editor of Redactions: Poetry & Poetics. He is also author of After Malagueña (FootHills Publishing, 2005), Negative Time (Pudding House, 2007), Pre-Dew Poems (FootHills Publishing, 2008), and Poetry Assignments: The Book (Sage Hill Press, 2009). His work has also appeared on Verse Daily.

Other poems by Tom Holmes in Verse Daily:
April 12, 2009:   "A Corpse of Vortices" "After they kill me..."
August 16, 2008:   "For Her Waking" "Down the canal they arrive..."

Books by Tom Holmes:

Other poems on the web by Tom Holmes:
"As with Energy, So with Form – Henri Thinks Through His Sculpture"
"My Mouth (An Apology)"
"The Man Who Counted Away"
"Squeezing away the Past"

About Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex:

"Part history, part aesthetic statement, part obsession, While Refuged at Sophie's Cottage as Bombs Fall on London, Nina Hamnett Pens a Postcard to Wyndham Lewis is, most of all, a lyrical exploration of life lived like the sharp cut of a chisel through marble. Henri Gaudier-Brzeska knew that blade hewing stone could reveal energy, that art was controlled energy; Holmes’ poetry — sharply chiseled — both maintains the formal precision of a cut through rock and the passionate intensity of the lives it follows — simply, these poems allow us to see that Henri and Sophie lived in the intense heat of lives blasted out of an important historical moment. This is no small accomplishment. Pound wrote, 'Only emotion endures.' Holmes has written of a compelling story in a fine collection of poetry that shows Pound’s assertion to be accurate."
—Tod Marshall

"Tom Holmes is often asking questions into the ether. One such recent question wondered who is making the new language, who has a fresh perspective on our poetry? In a roll-back-the-clock kind of way, Tom has answered that question with this book. He has managed to invigorate an under-appreciated branch of Modernism and reconstituted it for contemporary readers, achieving a hybrid of the archaic and the new, which is wholly enjoyable to read."
—Thom Caraway



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