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Today's poem is "Foreclosure"
from Revenance

Red Hen Press

Cynthia Hogue has published seven previous collections of poetry, most recently, Or Consequence and When the Water Came: Evacuees of Hurricane Katrina (interview-poems and photographs), both in 2010. Among her honors are a Fulbright Fellowship, a National Endowment for the Arts Fellowship in poetry, the H.D. Fellowship at the Beinecke Library at Yale University, an Arizona Commission on the Arts Project Grant, and the Witter Bynner Translation Residency Fellowship at the Santa Fe Art Institute. She is the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry in the Creative Writing Program at Arizona State University. Her new collection is Revenance.

Other poems by Cynthia Hogue in Verse Daily:
December 31, 2012:   "New Hampshire Spring" "A whooshing passed over us..."
June 28, 2010:   "Midnight Sun" "Light fends the sky's teal..."

Books by Cynthia Hogue:

Other poems on the web by Cynthia Hogue:
Two poems
Two poems
Three poems
Three poems
Three poems
Three poems
Five poems
Two poems
"Late Nights with Albert"
Three poems
"In Distrust of Good "
Five poems

About Revenance:

"The pitch of language can isolate image almost against memory, but as an instrument of its music. This is done across Hogue's new collection, Revenance, with an almost abstract, muralistic importance. I do love these poems—here is the balance of both color and flower naming the rose."
—Norman Dubie

"In her splendid eighth collection of poems, Cynthia Hogue looks deep and listens hard, finding the 'In / Visible' in the visible, straining to hear 'something, and more.' Whether she's inhabiting landscape or exploring art, Hogue seeks what eludes us, whether in depth or evanescence. Absence looms, in our impoverished and polluted earth, in the scraps of a lost interview, in the foreshadowed elegies that close the book; but the poet's deft use of language and form allow both what is and what is no more to be 'bodied forth, returning like a revenant: not whole, but changed.'"
—Martha Collins



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